Malcolm and Karen Whyte, Mill Valley, CA

This work comes from Malcolm Whyte, Cornell Class of 1955, and his wife Karen Whyte, whose collection of contemporary Native American art was featured in an exhibition at the Johnson Museum, Cornell University, with the accompanying catalogue by the same name, Walk in Beauty: Discovering American Indian Art. The Whyte collection, from which this work was selected, focuses primarily on contemporary artists from California and the larger Western region of the country.

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Hall, Edwin S., Margaret B. Blackman, and Vincent Rickard. 1981. Northwest Coast Indian graphics: an introduction to silk screen prints. Seattle: University of Washington Press.

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Macnair, Peter L., Alan L. Hoover, and Kevin Neary (1984) The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, B.C.: Douglas & McIntyre.

National Museum of Man (Canada), Thunder Bay National Exhibition Centre, and Centre for Indian Art. 1980. The Eye of the dreamer: heroes and heroic transformation in Northwest Coast silkscreen prints from the collection of the National Museum of Man. Thunder Bay, Ont: Thunder Bay National Exhibition Centre.

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Northwest Coast Indian Artists Guild. 1978. Northwest Coast Indian Artists Guild, 1978 graphics collection. Ottawa: Canadian Indian Marketing Service.

Open Pacific Graphics (Firm). 1985. Northwest Coast Indian printmakers. Victoria, B.C.: Open Pacific Graphics.

Phillips, Ruth B., and Christopher Burghard Steiner. 1999. Unpacking culture art and commodity in colonial and postcolonial worlds. Berkeley: University of California Press.
Whyte, Malcolm. 2007. Walk in beauty: discovering American Indian art : American Indian paintings and sculpture from the collection of Malcolm and Karen Whyte. Ithaca, N.Y.: Herbert F. Johnson Museum of Art.

----Art Gallery of Greater Victoria (Victoria, B.C.). 1985. The northwest coast native print: a contemporary tradition comes of age. Victoria, B.C.: Art Gallery of Greater Victoria. -----The gathering: contemporary Northwest Coast native art 1995. Vancouver: Garfinkel, 1994. Bancroft-Hunt, Norman. People of the Totem: The Indians of the Pacific Northwest University of Oklahoma Press, 1988. Blackman, Margaret B., and Edwin S. Hall. 1981. "Contemporary Northwest Coast art: tradition & innovation in serigraphy". American Indian Art Magazine. 6 (3). Hall, Edwin S., and Margaret B. Blackman. 1980. Contemporary Northwest Coast art. New York, N.Y.: American Indian Community House. Hall, Edwin S., Jr., Margaret B. Blackman and Vincent Rickard, Northwest Coast Indian Graphics: An Introduction to Silk Screen, Seattle: University of Washington Press, 1981. Hunt, Richard, Butch Dick, and Art Thompson. 1994. Nation to nation: artists from the Coast Salish, Nuu-chah-nulth & Kwakwaka'wakw nations: July 1 - September 4, 1994. Victoria: Art Gallery of Greater Victoria. Hunt, Ross (2007) "The Hunt Family's Trip to West Germany to Attend the Bundesgarten Show." Anthropology News, vol. 48, no. 2, pp. 20-21. Jonaitis, Aldona Chiefly Feasts: The Enduring Kwakiutl Potlatch (Editor) U. Washington Press 1991. Macnair, Peter L., Alan L. Hoover, and Kevin Neary (1984) The Legacy: Tradition and Innovation in Northwest Coast Indian Art. Vancouver, B.C.: Douglas & McIntyre. National Museum of Man (Canada), Thunder Bay National Exhibition Centre, and Centre for Indian Art. 1980. The Eye of the dreamer: heroes and heroic transformation in Northwest Coast silkscreen prints from the collection of the National Museum of Man. Thunder Bay, Ont: Thunder Bay National Exhibition Centre. Thom, Ian M. 2009. Challenging traditions: contemporary First Nations art of the Northwest Coast. Vancouver: Douglas & McIntyre. Warner, John Anson. 1981. Heritage of raven: classical and contemporary art of the Northwest Coast Indians. North Vancouver, B.C.: Hancock House.