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Image of Augusta Savage

Augusta Savage

1967
20th C.
North America, U.S.A.
24 x 18 in. (60.96 x 45.72 cm)

By (primary)
Gwendolyn Knight American, born in Barbados, 1913–2005

Medium: Oil on canvas
Credit Line: Gift of Dr. Herbert J. Kayden and Family in memory of Dr. Gabrielle H. Reem
Accession Number: 2013.91
Currently On View

Object Label
Aleesa Pitchamarn Alexander, Ph.D., Assistant Curator of American Art, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University:
This moving tribute to Gwendolyn Knight Lawrence’s teacher, friend, and fellow artist Augusta Savage (1892–1962) was completed five years after Savage’s death. In the 1930s, Savage directed the Harlem Art Workshop, one of the largest free art education programs in New York City. There, Savage taught and mentored Knight Lawrence and her future husband, the artist Jacob Lawrence. In addition to showcasing aesthetic import, this work is a rare portrait of a black woman artist by one of her peers. The painting’s existence calls attention to the representational absence of black women—on either side of the canvas—within the history of art.

Copyright
© Artists Rights Society (ARS), NY

Provenance
Gabrielle Reem and Herbert Kayden, New York, NY; given to the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2013.

Bibliography
Elizabeth Mitchell, "Promised Land the Art of Jacob Lawrence," Cantor Arts Center, exhibition catalogue (Iris and B. Gerald Cantor Center for Visual Arts, Stanford, 2015). cat. no. 10, pg. 77, repr.;

Portfolio List Click a portfolio name to view all the objects in that portfolio
This object is a member of the following portfolios:
Thumbnail image of American Art
American Art
Thumbnail image of Jacob Lawrence
Jacob Lawrence
Thumbnail image of Looking at Each Other
Looking at Each Other
Thumbnail image of Paintings_Browse the collection
Paintings_Browse the collection
Thumbnail image of The Medium Is the Message: Art since 1950
The Medium Is the Message: Art since 1950


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Last updated: 02/23/2021


This record has been reviewed by the curatorial staff but may be incomplete. Our records are frequently revised and enhanced.

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