Title
|
Artist
|
Medium & Support
|
Creation Date
|
Accession Number
|
… at the salon! "Dear M. de Croquoison I am glad to see you at the castle of [Coquardière]. (… au salon! "Mon cher Monseiur de Croquoison enchantée de vous voir au château de la [Coquardière].) ...
from Pinch me in the countryside!! (Pincez-moi à la campagne!!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1855
|
1986.490.10
|
… who chases him and waits for him at his doorman's making it necessary for the unfortunate Beaucoq to change his domicile. (qui lui donne la chasse et la l'attendere chez son portier, ce qui met l'infortuné Beaucoq dans la nécessité de changer de domicil
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.6
|
"Caricatures": (Gentleman)
|
Pond, Arthur
|
Etching
|
18th century
|
1969.109
|
"Caricatures": Il Pad. S. Resta...
|
Pond, Arthur
|
Etching
|
1738
|
1969.115
|
"Caricatures": Il Signor Car. Tomaso
|
Pond, Arthur
|
Etching
|
1741
|
1969.111
|
"Caricatures": Shouted Gentleman
|
Pond, Arthur
|
Etching
|
18th century
|
1969.110
|
"Caricatures": Un Pizzicarnolo
|
Pond, Arthur
|
Etching
|
1741
|
1969.112
|
"Dantanorama": Carle Vernet
|
Dantan, Jean-Pierre
|
Lithograph
|
1832
|
1977.77.32
|
"Dantanorama": Horace Vernet
|
Dantan, Jean-Pierre
|
Lithograph
|
1831
|
1982.40
|
"Dantanorama": nos. 18, 19 Charlet; Ferri
|
Dantan, Jean-Pierre
|
Lithograph
|
19th century
|
1987.128
|
"Dantanorama": nos. 2, 3 Ciceri; Lepaulle
|
Dantan, Jean-Pierre
|
Lithograph
|
19th century
|
1987.127
|
"Is this M. de Croquoison's? I received this morning a letter from the Marquese of Coquardière asking me to hand deliver to him a hat that he'll take to Madam's castle." ("C'est bien ici M. de Croquoison? J'ai reçu ce matin un lettre de Mme. la Marquise d
from Pinch me in the countryside!! (Pincez-moi à la campagne!!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1855
|
1986.490.3
|
"Is this the home of M. de Croquoison?" / "Yes Miss" … ("C'est bien ici la demeure de M. de Croquoison? / "Oui Mademoiselle.) ...
from Pinch me in the countryside!! (Pincez-moi à la campagne!!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1855
|
1986.490.2
|
"La Caricature": Budget of 1831 (plate ?, no. 38)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.121
|
"La Caricature": Ceremonie descendres (plate 250, no. 121)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.118
|
"La Caricature": Momento homo... (plate 248, no. 120)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.119
|
"La Caricature": Villemain (plate 251, no. 121)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.120
|
"Lady! What do you grieve?" / "Sir, I walked unwitingly on St. Rémacle's tombstone." ("Madam! Pourquois vous désolez-vous? / "Monsieur, j'ai marché sans le vouloir sur la dale de St. Rémacle.) ...
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph with hand-coloring
|
c. 1845
|
1989.83.15
|
"Now my dear, here is the site of the Column of the Husband; look how woody it is." / "The Husband?" / "But no! The place." ("Tiens ma chère voici le site de la Colonne du mari, vois comme il est boisé. / "Le Mari? / "Mais non! Le site.)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph with hand-coloring
|
c. 1845
|
1989.83.14
|
"Oh my God! My wife used the wrong fountain!" ("Ah mon Dieu! Ma femme s'est trompée de fontaine!) ...
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph with hand-coloring
|
c. 1845
|
1989.83.8
|
[M.] de Croquoison puts the 3 baloons in his overnight bag. ([M.] de Croquoison met les troit ballons dans son sac de nuit.) …
from Pinch me in the countryside!! (Pincez-moi à la campagne!!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1855
|
1986.490.4
|
1.ère Tribulation. 7 Heures du Matin. La Toilette
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.1
|
10e. Tribulation. 8 Heures du Soir. Quel Temps! Et Pas de Voitures!
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.10
|
11e. Tribulation. 11 Heures du Soir. La Barriére ou les Fâcheuses Recontres
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.11
|
12e. Tribulation. Minuit . Maudite Clef!
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.12
|
2e. Tribulation. 9 Heures du Matin. Economie du Fiacre
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.2
|
3e. Tribulation. 10 Heures du Matin. Lé Depart
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.3
|
4e. Tribulation. Midi. Exercice d'Equitation
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.4
|
5e. Tribulation. 1 Heure. Ils Sont Trop Verts
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.5
|
6e. Tribulation. 4 Heures. Le Diner Interrompu
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.6
|
7e. Tribulation. 5 Heures. L'Agrément d'un Salon de 100 Couverts
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.7
|
8e. Tribulation. 6 Heures. Le Bal Champêtre
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.8
|
9e. Tribulation. 7 Heures du Soir. Conduite Chez le Maire
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1970.115.9
|
A Butcher
|
Rowlandson, Thomas
|
Etching and aquatint
|
1790
|
1970.28
|
A Choral Band
|
Brett, J.
|
Etching
|
1779
|
1986.177.19
|
A Chorus of Singers
|
Hogarth, William
|
Etching
|
1732
|
2004.3
|
A Family Picture
|
Artist unknown
|
Etching with color
|
c. 1809
|
1979.42
|
A Good Piece
|
Nixon, John
|
Etching and aquatint
|
1801
|
1977.180
|
A Great Stream from a Petty Fountain
|
Gillray, James
|
Colored etching
|
1806
|
1975.23
|
A la Bonne Heure
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
19th century
|
1983.229
|
A Lump of Innocence
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1809
|
1989.80
|
A Man with a Large Lower Lip
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1665
|
L.15.718.2007
|
A National Costume (Un costume national)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Color lithograph
|
1850
|
1977.213
|
A Peep at Christies; -or-Tally-ho, and his Nimeny-pimmeney taking the Morning Lounge
|
Gillray, James
|
Colored etching and aquatint
|
1796
|
1979.10
|
A Rape or a Cunning Fellow
from Les Metamorphoses du Jour
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1829
|
1981.17.1
|
A Speedy & Effectual Preparation for the Next World
|
Darly, Mattina
|
Etching
|
1777
|
2014.39
|
Accademia
from Caricatura Matrimonia
|
Lasinio, Carlo
|
Etching with color and stipple engraving
|
1790
|
1977.94.7
|
Achilles sous sa tente
|
Daumier, Honoré
|
Lithograph
|
1842
|
1981.287.1
|
Acute Pain
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.10
|
Admiration
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.3
|
Admiration with Astonishment
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.4
|
After placing him on the mantelpiece, the mandarin orders a hundred cane lashes for Mrs. Péko's drum teacher, suspected of wooing his pupil. (L'ayant fait placer sur la cheminée, le mandarin sont faire administrer cent coups de baton au professeur de tam-
from M. Papillon or Love around the world by Cham (M. Papillon ou L'amour autour du monde par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.489.15
|
After several days, Mylady has a fit of spleen. [a fit of passion] (Au bout de quelques jours Mylady est prise d'un accès de spleen.) …
from M. Papillon or Love around the world by Cham (M. Papillon ou L'amour autour du monde par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.489.8
|
Age and Folly or The Beauties
|
Artist unknown
|
Etching and mezzotint with hand-coloring
|
1776
|
1977.152
|
Aged Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1797
|
1980.157.6
|
Am I not a Hell of a Walker?
|
Wilde, Samuel de
|
Etching and aquatint
|
18th century
|
1984.308.26.c
|
Amateurs du grand monde
from Croquis musicaux
|
Daumier, Honoré
|
Lithograph
|
1852
|
2004.84.10
|
Amateurs parisiens profitant du séjour de Rossini en Italie... Guillaume Tell
from Croquis musicaux
|
Daumier, Honoré
|
Lithograph
|
1852
|
2004.84.1
|
An English Bull Dog and a Corsican Blood Hound
|
Artist unknown
|
Etching with color
|
19th century
|
1979.43
|
An Irish Howl
|
Wilde, Samuel de
|
Etching
|
1795
|
1984.308.12
|
And Catch the Living Manners as They Rise
|
Gillray, James
|
Etching and aquatint with hand-coloring
|
1794
|
1976.207
|
And falls thunderstruck in love with Miss Prunnlla who is going to the bullfight (-- Et tombe foudroyé d'amour devant dona Prunella qui se rend à la course de taureaux … )
from M. Papillon or Love around the world by Cham (M. Papillon ou L'amour autour du monde par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.489.9
|
Anger
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.18
|
Apoplexy replacing paralysis in London. (L'apoplexie allant remplacer à Londres la paralysie.)
|
Daumier, Honoré
|
Lithograph
|
1835
|
1971.60
|
As Statues Moulder into Worth (Time Smoking a Pipe)
|
Hogarth, William
|
Etching and mezzotint
|
1761
|
1970.133
|
Ashtonished, the mandarin receives a replica he was far from expecting from a chimney figurine. (Etonnement du mandarin, qui reçoit une réplique à laquelle il était loin de s'attendre de la part d'un magot de cheminée.) …
from M. Papillon or Love around the world by Cham (M. Papillon ou L'amour autour du monde par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.489.17
|
Attention
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.2
|
Avaricious Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1797-1798
|
1980.157.3
|
Bad player. "Damn dealer! Here, this is for you!" (Un mauvais joueur. "Croupier de malheur! Voici encore pout toi!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph with hand-coloring
|
c. 1845
|
1989.83.12
|
Bashful Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1798
|
1980.157.2
|
Bastard Fetus Heredity, Still-Born Count D'Averton (Bâstard Foetus Hérédité, Comte D'Averton Mort-Né)
|
Forest, Eugène-Hippolyte
|
Lithograph with hand-coloring
|
1831
|
1973.2
|
Battered by the dentist who broke his three front teeth, hoping he would asked him for false ones, Beaucoq courted the wife of a military that made him do a lot of garrisons [--Malmené par le dentiste qui lui casse trois dents devant dans l'espoir de lui
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.12
|
Beaucoq escapes the Captain and finds consolation by courting a lady butcher, however he has difficulties with the entourage. (-- Beaucoq échappe au Capitaine et se console en faisant la cour à une bouchére, il a cependant des difficultés avec l'entourage
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.14
|
Beaucoq finally found a woman who stares at him, given how impossible it is for him to make a move. (Beaucoq trouve enfin une femme qui le fixe, vu l'impossibilité où il se trouve de la faire bouger.) ...
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.18
|
Beaucoq gets a second appointment but it is not happier than the firs; a thief removed his watch and made him miss the time. (--Beaucoq obtient un second rendez-vous qui n'est pas plus heureux que le premier, un voleur lui ayant enlevé sa montre et par
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.9
|
Beaucoq inherits an uncle on condition that he will have a long legitimate line. (Beaucoq hérite d'un oncle à la condition qu'il aura une longue lignée légitime.) ...
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.17
|
Beaucoq will even pay for grog and cigars to the son of the house, a young student giving the most detestable expectations. (--Beaucoq va même jusqu'à payer des grogs et des cigares au fils de la maison, jeune collégien donnant les plus détestables espéra
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.5
|
Boasting of certain things, the Captain crushes Beaucoq's foot to make him feel that he was offered the boot. (--Se vantant de quelques choses, le Capitaine écrase le pied de Beaucoq pour lui faire sentir qu'il lui propose la botte). …
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.486.13
|
Bookseller and Author
|
Alken, Sr., Samuel
|
Etching and aquatint
|
1784
|
1986.56
|
Boxes
|
Rowlandson, Thomas
|
Etching
|
1809
|
1974.167.b
|
Bust of a Woman with a Deformed Mouth
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1665
|
L.15.721.2007
|
Bust of a Woman with Protruding Lower Lip
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1665
|
L.15.716.2007
|
Bust of a Woman with Protruding Mouth
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1660
|
L.15.720.2007
|
Bust of a Woman with Wide-open Mouth
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1665
|
L.15.719.2007
|
Bust of an Old Man with a Flat Hat
from Divers Anticke Faces
|
Hollar, Wenceslaus
|
Etching
|
1665
|
L.15.717.2007
|
But also, why the hell am I so infatuated with a French woman! these people are so weak! . . . an English woman is calmer. (-- Mais pourquoi diable aussi s'être amourache d'une Française! ce peuple est si léger! . . . une Anglaise c'est plus calme.) …
from M. Papillon or Love around the world by Cham (M. Papillon ou L'amour autour du monde par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
c. 1856
|
1986.489.4
|
C'est l'epouventail...
|
Daumier, Honoré
|
Wood engraving
|
1834
|
1973.32.2
|
Caricature About Scotch Remedies
|
Artist unknown
|
Etching with hand-coloring
|
19th century
|
1975.191.31
|
Caricature of "The Last Judgment "(Jugement Dernier)
|
Vallardi, Francesco Santo
|
Etching and aquatint
|
1815
|
1977.173
|
Caricature of a Bonapartist Terrorist
|
Gill, André
|
Woodblock and engraving
|
1870-1879
|
1979.13
|
Caricature of George King of England and his Loyal Army
|
David, Jacques-Louis
|
Etching with hand-coloring
|
18th century
|
1988.95
|
Caricature of Honoré Daumier (1808–1879)
|
Carjat, Etienne
|
Lithograph
|
c. 1863
|
1980.35
|
Caricature of Jean-Pierre Dantan
|
Dumoulin, P.
|
Lithograph
|
1855
|
1986.450
|
Caricature of Narcisse Diaz de la Pena
|
Carjat, Etienne
|
Lithograph
|
1862
|
1982.36
|
Caricature of People at a Ball
|
Thackeray, William Makepeace
|
Pencil, pen and ink, and watercolor
|
19th century
|
2009.24
|
Caricature of the Composer Richard Wagner
|
Kaulbach, Wilhelm von
|
Black chalk and charcoal
|
19th century
|
2008.306
|
Caricatures
|
Darly, Matthew
|
Album with nine etchings
|
18th century
|
1971.4.1-14
|
Cherchant à fasciner une riche héritière...
from Musical Sketches (Croquis Musicaux)
|
Daumier, Honoré
|
Lithograph
|
1852
|
2004.84.3
|
Comforts of a Bed of Roses
|
Gillray, James
|
Color etching and aquatint
|
1806
|
1969.173
|
Compassion
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.14
|