Title
|
Artist
|
Medium & Support
|
Creation Date
|
Accession Number
|
A Choral Band
|
Brett, J.
|
Etching
|
1779
|
1986.177.19
|
Two Famous Antiquarians (Due Famosi Antiquari: Baron Stotsch and Marcantonio Sabbatini)
from Caricatures
|
Ghezzi, Pier Leone
|
Etching
|
1739
|
1969.106
|
Travelling Governor
from Caricatures
|
Pond, Arthur
|
Etching
|
1737
|
1969.107
|
Mme Petit et son Cuisinier
from Caricatures
|
Pond, Arthur
|
Etching
|
1741
|
1969.108
|
"Caricatures": (Gentleman)
|
Pond, Arthur
|
Etching
|
18th century
|
1969.109
|
"Caricatures": Shouted Gentleman
|
Pond, Arthur
|
Etching
|
18th century
|
1969.110
|
"Caricatures": Il Signor Car. Tomaso
|
Pond, Arthur
|
Etching
|
1741
|
1969.111
|
"Caricatures": Un Pizzicarnolo
|
Pond, Arthur
|
Etching
|
1741
|
1969.112
|
Due Filosofi
|
Pond, Arthur
|
Etching
|
18th century
|
1969.113
|
Prenez des Pilules
from Caricatures
|
Pond, Arthur
|
Etching
|
1739
|
1969.114
|
Two Heads
from Caricatures
|
Pond, Arthur
|
Etching
|
1742
|
1969.116
|
Le Brun Travested or Caricatures of the Passions
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etchings
|
1800
|
1986.157.1-20
|
Conclusion of the First Volume of the Caricature Magazine
|
Woodward, George Moutard
|
Etching with hand-coloring
|
19th century
|
1975.189
|
New Journeys and New Lithographic, Philosophical, & Comic Impressions (Nouveaux Voyages et Nouvelles Impressions Lithographiques, Philosophiques & Comiques).
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
1845
|
1986.488.1-21
|
Impressions lithographiques, de voyage par M. M. Trottman & Cham
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
1845
|
1986.487.1-21
|
Pinch me in the countryside!! (Pincez-moi à la campagne!!)
from Pinch me in the countryside!! (Pincez-moi à la campagne!!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
c. 1855
|
1986.490.1-21
|
The Adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
from The adventures of Monsieur Beaucoq, ex-rosieur from the town of Nanterre by Cham (Les aventures de Monsieur Beaucoq, ex-rosieur de la commune de Nanterre par Cham)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
c. 1856
|
1986.486.1-19
|
Mr. Papillon, ou, l'Amour Autour du Monde
from Mr. Papillon, ou, l'Amour Autour du Monde
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
c. 1856
|
1986.489.1-21
|
To Hell with the Servants! (Au diable les domestiques!)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
1857
|
1986.485.1-19
|
The Tortures of Fashion (Au Tortures de la Mode)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
1858
|
1986.491.1-26
|
The art of succeeding in the world. A simple and esay method for being kicked out the door in a very short time (L'art de réussir dans le monde. Procédé simple et facile pour se fair jeter à la porte en fort peu de temps)
from L'Art de Réussir dans le Monde
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs
|
c. 1860
|
1986.484.1-21
|
"Caricatures": Il Pad. S. Resta...
|
Pond, Arthur
|
Etching
|
1738
|
1969.115
|
Man Carrying his Stomach in a Wheelbarrow
|
Ireland, Samuel
|
Soft ground etching
|
18th century
|
1986.177.29
|
Petticoat Government or the Gray Mare is the Better Horse
|
Kay, John
|
Etching and engraving
|
1793
|
1999.208
|
Excursion to the Castle of Montjardin. Notice to the Humane Society. (Excursion au château de Montjardin. Avis à la Société protectrice des animaux.)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithographs with hand-coloring
|
c. 1845
|
1989.83.1-15
|
The Bench
|
Hogarth, William
|
Etching
|
1758
|
1963.5.69
|
Filial Piety
from Caricaturana
|
Daumier, Honoré
|
Lithograph
|
19th century
|
1988.63
|
The Beggar's Inn
|
Serwouters, Pieter
|
Etching
|
1608
|
1976.298
|
Spiritual Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1797
|
1980.157.1
|
Bashful Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1798
|
1980.157.2
|
Drunken Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1798
|
1980.157.5
|
Aged Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1797
|
1980.157.6
|
Country Lovers
from Lovers
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1798
|
1980.157.7
|
Dance of Death Modernized
|
Cruikshank, Isaac
|
Etching with hand-coloring
|
1808
|
1969.203
|
The Macaroni Painter or Billy Dimple Sitting for his Picture
|
Earlom, Richard
|
Mezzotint
|
1772
|
1974.216
|
Rodney Triumphant:-- or -- Admiral Lee-Shore in the Dumps
|
Gillray, James
|
Etching and aquatint with hand-coloring
|
1782
|
1980.37
|
First Kiss This Ten Years
|
Gillray, James
|
Colored etching
|
1803
|
1977.157
|
Physical Aid
|
Gillray, James
|
Colored etching
|
1803
|
1975.24
|
A Great Stream from a Petty Fountain
|
Gillray, James
|
Colored etching
|
1806
|
1975.23
|
Fashionable Mama, or The Convenience of Modern Dress
|
Gillray, James
|
Etching and aquatint with hand-coloring
|
1796
|
1976.40
|
Maecenas in Pursuit of the Fine Arts
|
Gillray, James
|
|
1808
|
1983.172
|
Resisting the Common Enemy
|
Newton, Richard
|
Colored etching
|
1798
|
1977.156
|
A Good Piece
|
Nixon, John
|
Etching and aquatint
|
1801
|
1977.180
|
Italian Picture Dealers Humbugging My Lord Anglaise
|
Rowlandson, Thomas
|
Etching with hand-coloring
|
1812
|
1983.167
|
Dr. Syntax with the Bookseller
from Tour of Dr. Syntax
|
Rowlandson, Thomas
|
Color etching and aquatint
|
1812
|
1983.169
|
Wonderful Italian Doctor and Wizard
|
Robyn, W.
|
Etching and engraving
|
18th century
|
1976.129.1
|
Grand Master of the Opera of Grotesque Dancers
|
Sasse, Joost van
|
Etching
|
18th century
|
1977.162
|
Caricature About Scotch Remedies
|
Artist unknown
|
Etching with hand-coloring
|
19th century
|
1975.191.31
|
Genius of Caricature
|
Woodward, George Moutard
|
Etching with hand-coloring
|
1808
|
1983.171
|
Caricature of "The Last Judgment "(Jugement Dernier)
|
Vallardi, Francesco Santo
|
Etching and aquatint
|
1815
|
1977.173
|
Thoré
|
Roubaud, Benjamin
|
Lithograph
|
19th century
|
1977.149
|
The Art Connoisseurs. (Les amateurs de Tableaux.)
|
Boilly, Louis Léopold
|
Lithograph with hand-coloring
|
1824-1827
|
1971.78
|
Navet d'Honneur
|
Bouquet, Auguste
|
Lithograph
|
1834
|
1966.37
|
PERE-SCIE.
|
Bouquet, Auguste
|
Lithograph
|
1832
|
1966.36
|
Caricature of Narcisse Diaz de la Pena
|
Carjat, Etienne
|
Lithograph
|
1862
|
1982.36
|
Triste chasse...
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
19th century
|
1983.228
|
A la Bonne Heure
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph
|
19th century
|
1983.229
|
"Dantanorama": Horace Vernet
|
Dantan, Jean-Pierre
|
Lithograph
|
1831
|
1982.40
|
General Mortier, the evening before the battle of Waterloo (Le Maréchal Mortier la veille de la bataille de Waterloo)
|
Daumier, Honoré
|
Lithograph
|
1835
|
1971.59
|
For a poor American, please. (Pour un pauvre Américain, s'il vous plaît.)
|
Daumier, Honoré
|
Lithograph
|
1835
|
1972.118
|
Father Wolf, as a Poor Smuggler (L'Abbé Loup, un pauvre Contrebandier)
from Ball at Court
|
Daumier, Honoré
|
Lithograph
|
1833
|
1981.287.2
|
How Timid They Are!...See Them Run!
|
Daumier, Honoré
|
Lithograph
|
1839
|
1971.66
|
Scenes Grotesques: Le Barbier
from Scenes Grotesques
|
Daumier, Honoré
|
Lithograph
|
1839
|
1981.287.5
|
Hercules Subdued by Love (Hercule dompté par l'amour)
from Histoire Ancienne
|
Daumier, Honoré
|
Lithograph
|
1842
|
1983.357
|
Achilles sous sa tente
|
Daumier, Honoré
|
Lithograph
|
1842
|
1981.287.1
|
The Curate
|
Ramelet, Charles
|
Lithograph
|
1833
|
1983.139
|
Caricature of Jean-Pierre Dantan
|
Dumoulin, P.
|
Lithograph
|
1855
|
1986.450
|
Masques et Visages: Le bel Adolphe
|
Gavarni (Hippolyte-Guillaume-Sulpice Chevallier ), Paul
|
Lithograph
|
1852
|
1971.63
|
Physionomies Parisiennes: Elle prendrait bien quelque chose (plate 34)
|
Gavarni (Hippolyte-Guillaume-Sulpice Chevallier ), Paul
|
Lithograph
|
1858
|
1971.64
|
"La Caricature": Ceremonie descendres (plate 250, no. 121)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.118
|
"La Caricature": Momento homo... (plate 248, no. 120)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.119
|
"La Caricature": Villemain (plate 251, no. 121)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.120
|
"La Caricature": Budget of 1831 (plate ?, no. 38)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1833
|
1970.121
|
Le Marche de Gros, Gras et Bête
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph
|
1833
|
1981.286.1
|
Les Ombres Portées
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph
|
1833
|
1981.286.2
|
The Caricature (La Caricature)
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph
|
1833
|
1981.286.3
|
Galerie Véro Dodat
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph
|
1833
|
1981.286.5
|
Invocation
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Engraving with hand-coloring
|
1833
|
1981.286.6
|
Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
from Le Dimanche d'un Bon Bourgeois à Paris ou Les Tribulations de la Petite Propriété
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithographs with hand-coloring
|
19th century
|
1970.115.1-12
|
L'ordre Public règne aussi à Paris
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
1831
|
1973.34
|
V'la Bouquet Gare les Bombes!
|
Gérard (called J.J. Granville or Grandville), Jean-Ignace-Isidore
|
Lithograph with hand-coloring
|
19th century
|
1973.37
|
Westbourne Procession
|
Wilde, Samuel de
|
Etching with hand-coloring
|
April 1, 1809
|
1984.308.24.d
|
Westbourne Procession
from The Satirist
|
Wilde, Samuel de
|
Etching and aquatint in brown
|
April 1, 1809
|
1984.308.24.e
|
Attention
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.2
|
None but the Brave Deserve the Fair
|
Rowlandson, Thomas
|
Color etching
|
1813
|
1969.37
|
French Consular Triumvirate
|
Gillray, James
|
Colored etching
|
1800
|
1969.172
|
Comforts of a Bed of Roses
|
Gillray, James
|
Color etching and aquatint
|
1806
|
1969.173
|
A Butcher
|
Rowlandson, Thomas
|
Etching and aquatint
|
1790
|
1970.28
|
As Statues Moulder into Worth (Time Smoking a Pipe)
|
Hogarth, William
|
Etching and mezzotint
|
1761
|
1970.133
|
The Republican Rattle-Snake fascinating the Bedford-Squirrel
|
Gillray, James
|
Etching and aquatint with hand-coloring
|
1795
|
1975.22
|
The Old Maid
|
Rowlandson, Thomas
|
Etching with stipple engraving with hand-coloring
|
18th century
|
1976.42
|
And Catch the Living Manners as They Rise
|
Gillray, James
|
Etching and aquatint with hand-coloring
|
1794
|
1976.207
|
Overthrow of the Republican Babel
|
Gillray, James
|
Color etching
|
1809
|
1977.158
|
Excursion to the Castle of Montjardin. Notice to the Humane Society. (Excursion au château de Montjardin. Avis à la Société protectrice des animaux.)
|
Cham [Charles-Henri Amédée, Comte de Noé]
|
Lithograph with hand-coloring
|
c. 1845
|
1989.83.1
|
Five Grotesque Old Men
from Documents collection of Thomas Howard, Earl of Arundel...
|
Hollar, Wenceslaus
|
Etching with plate tone
|
1646
|
2008.232
|
Caricature of People at a Ball
|
Thackeray, William Makepeace
|
Pencil, pen and ink, and watercolor
|
19th century
|
2009.24
|
Caricature of the Composer Richard Wagner
|
Kaulbach, Wilhelm von
|
Black chalk and charcoal
|
19th century
|
2008.306
|
Admiration
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.3
|
Admiration with Astonishment
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.4
|
Veneration
from Le Brun Travested or Caricatures of the Passions
|
Rowlandson, Thomas
|
Etching
|
1800
|
1986.157.5
|